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هدف هنر
Danto sees the commonplace in art and art in the commonplace.18 The second adaptation is Hegel's the theory of the end of art, where Spirit reaches a full-realisation without the need of the exteriorisation and self-reflection of images.
Danto's the end of art thesis may also be seen as a reflection of this ethnocen- trism as it appears to stand for the art of the world, as if the end of art (in the west) is somehow the end of art for everyone.
If it is the end of art, is it the end of the particular consciousness that is involved with our experience of art?
Are we sup- posed to assume the end of art in each case?
The point is that using Husserl instead of Hegel allows us to throw away the husk of the end of art theory and look at the kernel of consciousness which Brillo Boxes re-presents.
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